I live in the Hollywood Hills with my family. I'm interested in literary fiction that is thought provoking. I can only read lively prose and I like a strong plot.
Showing posts sorted by relevance for query nana. Sort by date Show all posts
Showing posts sorted by relevance for query nana. Sort by date Show all posts
Sunday, April 13, 2014
Nana by Emile Zola
A redhead dominates Second Empire Parisian society
Nana, a vivacious teenager, becomes the talentless “star” of a Parisian musical. Soon every man clamors to possess her, including the immensely rich Count Muffat, who suffers spiritual agonies over his sinful lust, the cute teenager Georges, and an army of rich men. Nana supplements her theatrical paycheck with quick cash from assignations, but is also eager to accept apartments, clothing, jewels and income streams from any man who desire intimate access on a more consistent basis. Her heart, however, belongs to her little son Louis. And perhaps Satin, her blue eyed prostitute friend. Nana goes from rags to riches to rags back to incomparable riches again, only to die ignominiously of smallpox as the French Army marches off to disaster in the Franco Prussian war. In the end, every man who lusted after her is financially and morally destroyed.
This novel is very cinematic. Great set pieces – the opening scene of the play with a naked Nana as Venus, the lesbian café, the horse race scene. Perhaps the movies have replaced these old fashioned novels. I don’t mind long books that make me feel like I’m going on a spiritual journey but this one made me feel as if I watching a long expensively produced miniseries. That is, a bit repetitive and dull. Nana is a beautiful promiscuous vivacious dolt, a somewhat heavy handed symbol of the corruption of France. I’m not sure if I felt any deep sympathy or interest in how she would end up. She navigates a world defined by male privilege and reading this book definitely made me appreciate feminism more.
Like Moll Flanders, by the end of the book, Zaza is entirely motivated by money. In the final chapter, the lines of men and women tramping through Nana's bedroom became comical and cartoonish. I did like the final scene where Nana dies, a biting critique of France as the screaming crowd marches into the utter humiliation of the entirely staged Franco Prussian war. The author’s contempt for French society (high and low) came through loud and clear.
Sunday, July 27, 2014
Le Grand Meaulnes by Alain-Fournier
A boy can’t find his way back to a mysterious country estate and its beautiful mistress
Augustin Meaulnes, a tall handsome boy, a bit spoiled, joins the small country boarding school run by Francois’s parents. François is immediately fascinated by Augustin’s obvious superiority. One day, as a practical joke, Meaulnes borrows a peasant’s horse and cart. Getting lost in the winter landscape, he falls asleep. When he wakes, Meaulnes finds himself near a beautiful villa. Children laugh in the shadows and he realizes the chateau is preparing for a large party. He explores the many rooms and outbuildings of the crumbling estate. In one room, a pretty girl plays the piano for the children's entertainment. Later, boats take the partygoers to an island so the children can play. Meaulnes engages the girl in conversation. After some meaningful looks, they part. The party gets ruined, Meaulnes gets a lift home, but once again falls asleep. Returning to the school and real life, he spends a lot of energy trying to figure out the location of the villa and the girl. Meaulnes is near despair, but methodical loyal Francois is the one who eventually tracks down the beautiful girl. For his own reasons, however, Meaulnes is torn and cannot commit to happiness.
The mysterious party scene is wonderfully done. It reads like a fairy tale and it wasn't until Francois actually tracks down the real live girl that I realized the party wasn’t a dream, but an actual party. Also, I loved the opening section and its descriptions of French rural life at the turn of the last century. I really got a sensual sense of a vanished world. However, my enjoyment of the book was permanently marred when Le Grand Meaulnes turns out to be despicable. There is NO excuse for what he does near the end of the book. None.
I’m not sure if I understand what the big deal with this book is. It seems kind of slight. Is it because World War I wiped this fairy tale world and its hierarchies away? So far I’ve read three French novels, Mme. Bovary, Nana and this one and they all end with a beautiful young female body in extremis. What’s going on?
Labels:
Alain-Fournier,
Le Grand Meaulnes,
Love Story
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